Abstract Paintings

Ramesh Anand

Artist Ramesh Anand

Joined Craft Tatva: September 2021

The images, and forms, in Ramesh Anand’s works, are calm, serene, and with a touch of sublime. Yet make ripples, and signals towards the abounding beauty, and mystery, in the world of Nature. His love for Nature and his explorations in the realm of Natural are manifested in the paintings, with a certain melodious feel as well. Ramesh Anand has spent many years in the region of Malwa known for its colorful surroundings and festive hues, and uses red, yellows, greens etc. in a judicious manner, to empower the images according to their intent – at times giving them a subdued look, and at times gleaming them gloriously. He likes to spread the hues, and make enclosures out of these; to create spaces, which are truly enchanting. In a controlled manner, he uses his imaginative faculties to distill the very essence of landscapic forms.

Focus Areas: Abstracts

Artworks by Ramesh Anand

About Ramesh Anand

The images, and forms, in Ramesh Anand’s works are calm, serene, and with a touch of sublime. Yet make ripples, and signals towards the abounding beauty, and mystery, in the world of Nature. His love for Nature and his explorations in the realm of Natural are manifested in the paintings, with a certain melodious feel as well. Ramesh Anand has spent many years in the region of Malwa known for its colorful surroundings and festive hues, and uses red, yellows, greens etc. in a judicious manner, to empower the images according to their intent – at times giving them a subdued look, and at times gleaming them gloriously. He likes to spread the hues, and make enclosures out of these; to create spaces, which are truly enchanting. In a controlled manner he uses his imaginative faculties to distill the very essence of landscapic forms.

Ramesh Anand recalls, how on his train journeys in certain hilly regions of Maharashtra, he was fascinated and hypnotized by some barren, dark rocky mountains, bereft of any human presence, and greenery, echoing mysterious sounds within. These hilly ranges naturally not only fascinated him, but also intrigued him, offered forms and images, which were to make an appearanceon his works later on.
Yet, mostly the pastoral scenes, the sunrises, the sunsets, green fields, mud-dwellings, water bodies, winding and unwinding paths, clouds, and open skies, and vistas pervade his paintings in their transformed manifestations, mingled with the artist’s ideas, emotions and thoughts. These manifestations offer a visual delight, and are absorbing in their very formations.

Prayag Shukla
30th July, 2015
New Delhi

Solo Exhibitions – MP. Kala Parishad Bhopal (MP.) 1979 , Kalidas Academy Ujjain
(M.P.) 1990 Jehangir Art Gallery Mumbai 1997, Kalidas Academy Ujjain
2006.,Devlalikar Kala Vithika Indore 2010 , Bharat Bhavan Bhopal july 2015 , Triveni Kala Sangam New delhi sept. 2015 ,2017,2019.

Group Shows – Nagpur 1976, Indore 1977, 1994, 1999 Ujiain,, Dewas, Indore,Ratlam 1986 Pune, Bhopal, Ujjain 1987 Mumbai, Ujjain 1988, New Delhi 1991 Mumbai1993, 1997, Indore 1999 AIFACS Art Gallery New Delhi 2001 Lalit Kala Academy New Delhi 2003. Army & Navy Building Art Gallery 2003 Lalit Kala Academy New Delhi 2006 Kalidas Academy Ujjain 2007 Nehru Centre Art Gallery Mumbai 2007 Art 2 day Gallery Pune 2007, Aquila Art Gallery Calangute – Goa 2007 COLOUR FEST Hotel Sayaji Club Indore 2009 . Art Exhibition at Hotel SARAL 2010 Bhopal , Jalrang Dainik Bhasker 2010 Ujjain, SAMAGRA 2011 Indore,“SATH RANG” charity Group Exhibition at New art gallery 2011 Pun e , “VIEWS“Group Show at Blue art gallery Delhi 2011 , “COLOURS OF MALWA “ Group exhibition at Art Entrance Gallery ,Army Navy Building Mumbai 2011 ,Group show at Pritmaldua art gallery Indore 2012 .Canrayas Art Gallery Indore 2017,Devlalikar Indore2018 ,INGCA exhibition on Indian languages 2019 New Delhi. JAIRANGAM GROUP ART EXHIBITION AT JAWAHAR KALA KENDRA JAIPUR 2019 .

Participation – AIFACS, New Delhi 1990, All India Kalidas Exhibition Ujjain 1975 to 2012 MP. Youth Festival Bhopal 1976.State Art Exhibition 1976, 1979, 1989, 2000,2001 , 2004, 2005, 2006, 2008 ,2010 Monsoon Show, Mumbai 1989. Monsoon Show,Mumbai 1989. Natraj Festival Omkareshwar 1991 South Central Zone Cultural Centre, Nagpur 1990, 1992, 1998, 2000 Rethem Art Society Bhopal 1990Dr. Wakankar State Exhibition 1991, 1995,1999, 2000, 2001. Black & White Show Organized by Art Today, New Delhi 2000.M.P. State Employer Painting Exhibition. Bhopal 1993, 9th Rashtriya Kala Mela, Jan. 1996 Calcutta , AFZAL Exhibition 2007 The Art People Shows 2006 New Delhi, Travane Core ArtGallery New Delhi 2009. Khajuraho International Art Fair 2016 . INGCA exhibition on Indian languages 2019 New Delhi .Jairangam Group show at Jawahar kala Kendra Dec. 2019 ,India Art Fair 2020 January Mumbai.

Camps – Artist’s Camps at Bhimbetka 1976 ,Chitrankan 1997, National & International Artist Camp, Kalavart Nyas at Ujjain Kalaparv 1998, 1999, 2000,2001, 2002, 2003, 2004, 2005. Artist Camp Dewas 2000 Srujan Art Camp 1997, Jabalpur Vamagum Camp Organized by Kalidas Academy Ujjain 2001.”Kalarang Kalasang” Art Camp Gwalior 2005. Prarambh National Art Camp Shimla 2006 Prarambh Fine Art Worksshop in Alibag Mumbai 2007. Pranjal Arts Camp Gwalior 2007. Adijinand Kala Mahotsava Badwani 2008 Mystic Village National Artist Camp Pune 2007 Art camp Gwalior December 2012, MGM eye institute artist camp Raipur December 2012, Justice for women camp Delhi 2013 . Avadan simhasth 2016 Bhopal ,ACAD Foundation Art Camp Chikhaldara Dist. Amravati 2016 .Kalavart Nyas Ujjain 2016,17,2018,2019

Awards – Youth Artists Exhibition. Bhopal 1976. All India Kalidas Exhibition Ujjain 1981, 1983, 1985, 1995 Mera Indore 1991, S.C.Z.C.C. Nagpur 1998. Dr.Wakankar State Exhibition 2000. 2003, 2011, All India Kalidas Exibition Ujjain 2009

Samman- Kala Sadhak Samman 2000 Kalavart Nyas. Ujjain Varishtha Yuva,Samman 2001, Indore.

Publication’s – In Nav Bharat Times, Delhi & Mumbai Sunday Mail, Hans & Dinmaan New Delhi. Nai Dunia, Dainik Bhaskar & Prabhat Kiran Indore,TImes of india Delhi,Hindustan Times Delhi .

 

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